OBSERVATIONAL WORK · WATERCOLOUR · INK

Cities / From Life

Paintings and drawings made directly from observation in Melbourne and other cities. Working in watercolour and ink, these works focus on atmosphere, architecture, movement and the changing character of urban space.

Made on location or developed from direct studies, the works reduce complex scenes into essential shapes, tones and gestures. Rather than describing the city literally, they record the experience of being there — light, weather, distance, human activity and the incidental details that give a place its character.

This observational practice runs alongside the more constructed imagery of Urban Mythologies, providing a direct visual language that continues to feed into the studio work. Read more about painting on location in the Journal, including Painting in Brunswick Street.

Plein Air

Paintings made directly on location, primarily in watercolour. These works record changing light, weather, architecture and movement through immediate observation, with an emphasis on atmosphere and simplification rather than detailed description.

Florence Streets watercolor painting
Argenton Walk · Watercolour on paper

More works from life

Boat Watching in Venice watercolour by Robert Scholten
Boat Watching in Venice · Watercolour on paper
Colosseum watercolour by Robert Scholten
Colosseum · Watercolour on paper
Roman Sunset watercolour by Robert Scholten
Roman Sunset · Watercolour on paper

Explore the artwork pages: Boat Watching in Venice · Colosseum · Roman Sunset · Paris Morning Stroll · Dusk Approaches · Rouen Street · Palermo Cafe Life · Burano Scene. Each includes the full artwork, details and an illustrative gallery view.
Enquire about an artwork — please include its title and your delivery postcode or country.

Ink & Drawing

These works use ink as a direct and economical way of describing the city. Made from observation, they focus on structure, rhythm, contrast and the movement of people through urban space.

Brush marks, broken lines and areas of dense black reduce architecture and street detail into a more graphic visual language. Some works remain immediate studies, while others become more resolved drawings that sit between documentation and interpretation.

The ink work has also become an important part of Scholten’s broader studio practice, providing a vocabulary of line, shape and urban detail that continues to inform both painting and illustration.

Collins St Ink Drawing